I’ve loved photography since I got my first camera at 8 years old. It was a Kodak camera — a thin black point-and-shoot brick that used 110 film cartridges. I spent hours photographing everything around me: my dolls, my pets, my family.

I wanted to fix the world in my vision, and taking pictures was a natural way for me to express myself.

“Photography Is Art,” at the Amon Carter Museum of American Art in Fort Worth, explores the way photography has long been used as a vehicle for self-expression, albeit one that was not readily accepted by artistic circles.

Organized by senior photography curator John Rohrbach, who has been at the museum since 1992, the exhibition features a selection of images from the Carter’s permanent collection. It focuses on the efforts of American photographers, from the 1890s on, to have photography regarded as an art form. The show further

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Photography and philanthropy share a long history at Cornell, including first president A.D. White’s donation of architectural photographs in the late 1800s. This year, new gifts boost the study and appreciation of photography at Cornell through the establishment of a curatorship of photography for rare and distinctive collections (RAD) at Cornell University Library as well as a teaching gallery and photography fund at the Herbert F. Johnson Museum of Art.

Through her gifts, retired banking executive Nancy Sukenik named the curatorship, teaching gallery and photography fund in honor of her husband of 40 years, Richard Sukenik ’59, an avid photographer who died in 2014 and was a controller for chemical company W.R. Grace.

Since her husband’s death, Nancy Sukenik had been planning to make gifts to Cornell, and she was encouraged by his close friend Steve Segal ’59 to support photography in recognition of Richard’s love for the art form.

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Beach at Sunset, Wilder Burns

A new photography exhibit displaying the work of Brunswick High School students debuted at the Merrymeeting Plaza on Friday night.

The collection stemmed from a photography class that was taught by art educator Jennie Driscoll and was sponsored through a grant from the Maine Department of Education and the Maine Arts Commission. The class worked alongside a visiting artist from Portland.

The exhibit is hosted by Brunswick Public Arts in a space provided by the Merrymeeting Plaza and WS Development. The installation is called “How We See Now: New Dimensions of Photography.”

According to Driscoll, through various assignments the class focused on making images that push the boundaries of perception and photography, allowing to students to visualize new realities through their work.

For example, in one project students took images and cut them up to recreate sculptures and then re-photographed them while working with lighting.

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