Installation of “Tad Beck: Eyes of” at Grant Wahlquist Gallery in Portland. Courtesy of the artist and Grant Wahlquist Gallery, Portland

In 1970, conceptual artist Mel Bochner created an art piece called “Misunderstanding (A Theory of Photography).” For this work, Bochner, who enjoyed nothing so much as interrogating modes of representation in art, commented specifically on assumptions about photography. The piece consisted of quotes regarding the medium from well-known figures and reference books, each handwritten on a 16-by-20-inch notecard. Marcel Proust’s bruising observation, for instance, was “Photography is the product of complete alienation.”

Another assumption came from the Encyclopedia Britannica: “Photography cannot record abstract ideas.” While not the actual impetus for “Tad Beck: Eyes of,” the current photography show at Grant Wahlquist Gallery (through June 12), this notion metaphorically throws down a gauntlet that Beck has been challenging for years.

The series of abstract portraits was conceived before the

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Art & Entertainment,Art & Visual,Art & Culture,Art & Design,Digital Art PhotographyDigital Art Pictures menggunakan Facebook. As a result of photographers rely on the integrity of image files, it is very important take correct care of memory cards. Common advocacy calls for formatting of the cards after transferring the photographs onto a computer. Nevertheless, since all cameras solely do quick formatting of playing cards, it’s advisable to carry out a more thorough formatting using appropriate software program on a PC every so often. Successfully, this includes scanning of the cards to search for possible errors.

A great way to change into an everyday collector is to buy art work from galleries. You possibly can develop lengthy-term relationships with galleries that you simply like, as they’ll have the ability to recommend future artworks by new artists based mostly on your established tastes. As they work intently with the artist, the gallery employees can reply any particular questions that you just may need. … Read More

The Internet gives the illusion that everybody can be “somebody”. It surely has opened the door for some, but the hard truth is that most of us aspiring artists (including us photographers) remain largely unnoticed for our entire lifetimes, even with the mighty power of the Internet and social media.

Unlike sports, art is more complicated. For a 6-year-old kid starting to play football (“soccer” to those in U.S., Australia, etc.), it doesn’t take too long to judge if the kid has the potential to play professionally in the future. In art, however, it’s much harder to come to such an early conclusion, as artists develop over time and there are many late-starters, too.

Hoping to Be Noticed One Day

In my case, I started photography in my mid-30s as a hobbyist (or so-called enthusiast). In the beginning, it was purely for my self-satisfaction, but over time, I’ve grown a

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Artists fleeing fascism in Europe came to America in the 1930s and unleashed a sea change in magazine photography and design. Their revolutionary handiwork, and the work of younger American artists they inspired, is on display in a new exhibition, “Modern Look: Photography and the American Magazine,” at the Jewish Museum in New York from April 2 through July 11.

The combination of American entrepreneurship with European aesthetics and training yielded a golden age for U.S. magazines from the late 1930s to the 1950s, said Mason Klein, senior curator at the Jewish Museum and the organizer of the show. Some émigré photographers and designers studied at the

Bauhaus

school in Germany, which pioneered modernist design. Alexey Brodovitch, the Russian-born art director of Harper’s Bazaar, painted backdrops for the Ballets Russes in Paris before coming to the U.S. He would exhort photographers with a phrase borrowed from the troupe’s founder, Serge

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