Photographer and philanthropist Judy Glickman Lauder has given a gift of more than 600 photographs to the Portland Museum of Art, the museum recently announced. The collection includes works by major 20th-century photographers such as Gordon Parks, Richard Avedon, and Margaret Bourke-White, along with some of Glickman Lauder’s own pictures, and will be shown in an exhibit in October 2022.

“To have her trust us with this collection, and partner with the Portland Museum of Art, is one of the proudest moments of my career,” said museum director Mark Bessire. “Judy highlights the power and potential and even responsibility of photography.”

Glickman Lauder’s work as a photographer appears in over 300 public and private collections, including at the Whitney Museum of American Art and the Metropolitan Museum of Art. Her photographs have been published in a number of books, most recently “Beyond the Shadows: The Holocaust and the Danish

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Robert Cumming, an artist best known for Conceptual photographs that were instrumental in a major transformation of camera work in the 1970s and early ’80s, died Dec. 16 in Desert Hot Springs, Calif. He was 78.

According to his life partner, Margaret Irwin-Brandon, Cumming died from complications of Parkinson’s disease.

Cumming worked primarily in black-and-white, the established format employed to distinguish photography as serious art rather than an element of commercial mass media, which favored color. He often made large-format contact prints, emphasizing a commitment to directness and honesty over preciousness and darkroom manipulation. But he discarded the usual sober, documentary pose of Modernist art photography, preferring instead to throw a monkey wrench into the visual mix.

Typical was “Ansel Adams Raisin Bread” (1973), a diptych with a quirky reference to Adams, the reigning king of glamorous, ostensibly straightforward landscape photography. A store-bought loaf of packaged bread, some

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While some movie cameras may attain as much as 14 fps, like the Canon F-1 with rare excessive speed motor drive., 50 professional digital SLR cameras can take still photographs at highest body rates Whereas the Sony SLT know-how allows charges of as much as 12 fps, the Canon EOS-1Dx can take stills at … Read More

When he was a kid in the seventies, first experimenting with photography, Charles Mason found that mistakes he had made on film could produce fascinating results. “You always look at things that went wrong, to see if they’re interesting on their own,” he recalled. “Did the photo gods step in and give you something?”

For the works he has on display this month at Well Street Art Co., Mason found himself back in this place. The show originated in a 2018 artist in residence stint at Denali National Park, where he employed the 19th century collodion process to take pictures and develop them on the spot, with serendipity and chemical interactions having as much to do with the end result of each image as Mason’s framing.

“It was the first practical way to shoot in the field easily and come up with reproducible pictures and make big pictures,” Mason explained.

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