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Caroline Holder’s “Land of the Free?” (2019) features ceramics, found objects and collage.

Photo courtesy of DVCAI

At last, this Creole City art returns home.

“Inter|Sectionality: Diaspora Art from the Creole City” is on display at the Moore Building in the Miami Design District. Featuring sculpture, photography, painting, video and installation art, it mirrors the city’s evolving Afro-Caribbean and Creole culture.

But before coming home, it had an impressive journey to Washington, D.C. — one of triumph followed by uncertainty.

Rosie Gordon-Wallace, founder of the Miami-based Diaspora Vibe Cultural Arts Incubator (DVCAI), curated the exhibit, which opened in November 2019 at the Corcoran School of the Arts and Design at George Washington University. “Inter|Sectionality” brought together art by 27 artists from 18 countries, many of whom have worked or still work in Miami.

Principal funding for the Corcoran exhibit came from the Knight Foundation, with additional funds from The

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