Brenda Thompson, Peggy Sivert and Tatum Hawkins of SoLA Contemporary stand amid an installation of protest signs. <span class="copyright">(Christina House / Los Angeles Times)</span>
Brenda Thompson, Peggy Sivert and Tatum Hawkins of SoLA Contemporary stand amid an installation of protest signs. (Christina House / Los Angeles Times)

Black Lives Matter protests continue around the country, making familiar the myriad signs that people hold up: “Justice for George Floyd.” “No Justice, No Peace.” “8:46,” the last a reference to the amount of time a police officer held a knee to Floyd’s neck in Minneapolis.

Peggy Sivert and Tatum Hawkins, who run SoLA Contemporary, see art in these simple, yet direct, missives. So they have gathered dozens of protest signs and installed them in their storefront gallery space in a way that feels as if you have stumbled into a demonstration that’s been frozen in space and in time.

Suspended from the ceiling are bright pieces of poster board and scraps of cardboard emblazoned with slogans such as “Defund the Police,” “All Black Lives Matter”

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On June 1, Jim Dukes became the second executive director of Charlotte Art League. His goal: to make CAL into one of the most diverse and engaged creative studio spaces in Charlotte.

“(We want) Charlotte Art League (to) present and position itself as an inclusive community-oriented innovative arts incubator,” said Dukes, 49. CAL is a nonprofit visual arts organization that offers a mix of working studios, classes and community outreach programs, as well as a public gallery.

Dukes worked in Iraq for five years as a bomb technician for a defense contractor. He suffers from PTSD and partial hearing and eye-sight loss after two blast injuries.

He discovered his love of photography after seeing how veterans used art to heal.

Jim Dukes
Jim Dukes

He joined CAL in November, became the community manager, and then was hired as executive director in March. Dukes and part-time staff members Kate McAlister (assistant director) and

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In 1918, when the world was plagued by the Spanish flu, artists tried to make sense of the world around them. Edvard Munch made lonely self-portraits, while Egon Schiele drew his mentor Gustav Klimt on his deathbed. Photographers captured empty streets and ghostly cityscapes, like Morton Schamberg’s rooftop views from 1917, to hospitals shot by the California photojournalist, Edward A “Doc” Rogers.

With the Covid-19 pandemic still raging on, and the world in quarantine, the online exhibition Life During Wartime: Art in the Age of the Coronavirus hosted by the University of South Florida Contemporary Art Museum, offers a window into what artists are up to right now.

Related: Signs of the times: how Douglas Coupland’s art came to life under coronavirus

By partly featuring artwork made since 5 March, the date the World Health Organization declared a global pandemic, it shows how artists have responded to the

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Master photography with this set of online classes
Master photography with this set of online classes

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If you want to take photos for a living, though, you would need more than a swanky iPhone and a working knowledge of Lightroom. You would actually need to master the art of capturing stunning imagery — the kind of eye-catching photos that attract clients and put food on the table.

SEE ALSO: 8 of the best online career development courses in the UK

The Learn to Become an Expert Photographer Bundle is a 45-hour beginner-to-expert bundle designed to train you to take shots like a

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